A Sound Unto Itself
Artist: *Neutral Milk Hotel*
Often hailed as an indie rock landmark, *In the Aeroplane Over the Sea*, released in 1998, is a truly unique album. It wasn’t initially a chart-topper, but it developed a cult following that grew exponentially over the years. What makes this album so special? The album’s sonic landscape is unlike anything else. Frontman Jeff Mangum’s intensely personal and surreal lyrics, filled with imagery of Anne Frank, dreams, and personal anxieties, create a dreamlike, almost hallucinatory atmosphere. Standout tracks like “Holland, 1945” with its jaunty accordion and heartbreaking themes, and the title track, “In the Aeroplane Over the Sea,” which weaves its way into your soul with it’s simple yet effective instrumentals, are hallmarks of the album’s raw emotional power. The use of unconventional instruments like the musical saw adds a layer of eccentricity and depth. *In the Aeroplane Over the Sea* is a testament to the power of vulnerability and the beauty of imperfection. Its influence continues to be felt in indie rock today.
A Quiet Revolution
Artist: *Slint*
Released in 1991, *Spiderland* is a cornerstone of post-rock, a genre-bending sound that explores the boundaries of rock music. It was also Slint’s final album and was not widely celebrated at the time, yet has influenced a generation of musicians. It is dark, atmospheric, and intensely evocative. This album is a study in the power of restraint and subtle sonic textures. The band deliberately avoided traditional song structures. Standout tracks, like “Breadcrumb Trail” which builds a narrative around a journey with a crescendo that is breathtaking. And “Good Morning, Captain” its spoken-word verses creating a sense of unease. The album is characterized by its slow, deliberate pacing, the spoken-word passages, and the interplay between guitars and drums. *Spiderland* isn’t an easy listen, but its rewards are immense. Its influence on post-rock and experimental music is undeniable.
Bringing the Noise
Artist: *Fishbone*
Fishbone’s 1988 self-titled album is a high-energy fusion of funk, ska, punk, and rock that few could match, yet their commercial success never reflected their immense talent and innovative sound. This California band brought an incredible energy to their shows and recordings. Songs like “Party at Ground Zero” were a high-energy experience with lyrics that gave a voice to those who felt misunderstood. The album tackled socio-political issues with a blend of humor and seriousness, a combination that made it a force to be reckoned with on stage. Their horn-infused sound, driven by Angelo Moore’s distinctive vocals, created an exhilarating and danceable experience, and that’s not even touching the band’s stage presence. Fishbone’s blend of musical styles was ahead of its time. It should have had its time in the sun, but unfortunately never did.
A Dream We Can Share
Artist: *Mercury Rev*
Mercury Rev’s *Yerself Is Steam* released in 1991. Mercury Rev’s sound is often described as psychedelic, experimental, and orchestral, a combination that set them apart from their peers at the time. This album is a sonic exploration of sound and textures. Standout tracks like “Chasing a Bee” with its layered instrumentation and dreamlike quality, is the most well known by the band, and “Syringe Mouth” with its intensity creates a deeply immersive experience. *Yerself Is Steam* is a journey of sonic exploration and emotional depth.
Anarchic Delight
Artist: *The Descendents*
*Milo Goes to College*, released in 1982, is a true punk rock classic, a snapshot of adolescence, frustration, and intelligence wrapped in raw, energetic tunes. This album, with its iconic album artwork, served to define the band’s aesthetic. The band’s catchy hooks and relatable lyrics made them stand out, and this album is considered essential listening for any fan of the genre. Standout tracks like “Hope” which is a brief, hard-hitting commentary on growing up, and “Myage” which captures the anxieties of youth, are both incredibly poignant. The album’s themes of teenage angst, relationships, and the search for meaning are as relevant today as they were in the 80s. Its concise, high-energy songs were also a major influence. The Descendents never received the recognition they should have had but they are still fondly thought of today.
A Symphony of Colors
Artist: *The Flaming Lips*
*The Soft Bulletin*, released in 1999, is a sonic masterpiece that defies categorization. This album represents a significant evolution for the band, moving away from their earlier, noisier sound and embracing a more lush, melodic, and emotionally resonant aesthetic. The Flaming Lips create a sound that’s both experimental and accessible. “Race for the Prize,” with its soaring melodies and optimistic message, and “Waitin’ for Superman,” with its haunting beauty, are highlights. The album tackles themes of life, death, and the search for meaning in a complex world, all wrapped up in infectious melodies and dazzling sonic landscapes. The Soft Bulletin remains one of the great rock albums of all time.
A Quiet Rage
Artist: *R.E.M.*
Released in 1983, *Murmur* marked R.E.M.’s arrival onto the music scene. This debut album is a sonic tapestry of jangly guitars, enigmatic lyrics, and Michael Stipe’s distinctive vocals. The album is a unique blend of alternative rock and post-punk elements, with the band creating a distinctive sound that stood out from the more dominant trends of the time. “Radio Free Europe” is an anthemic song that is still the anthem of the band, and “Talk About the Passion” explores themes of religious devotion and social consciousness. Murmur helped define alternative rock in the 1980s.
An Oasis in the Desert
Artist: *Cocteau Twins*
Cocteau Twins’ 1990 album, *Heaven or Las Vegas* is a dream pop masterpiece that deserves a wider audience. The album showcases their signature sound, characterized by Liz Fraser’s ethereal vocals, swirling guitars, and atmospheric production. The album is a testament to the band’s innovative approach. “Iceblink Luck” and “Pitch the Baby” exemplify the band’s unique blend of dream pop, ambient, and shoegaze. The album’s dreamy soundscapes, filled with textures and emotions, create an immersive experience for the listener. The album, while well received by critics, did not receive as much commercial success as other albums in the genre.
A Sound of the Night
Artist: *Joy Division*
Joy Division’s *Closer*, released in 1980, is a post-punk masterpiece that is considered by many to be the band’s finest. Unfortunately it was released shortly after lead singer Ian Curtis’s death, which meant the band couldn’t truly enjoy the success of the album. The album is a dark, claustrophobic exploration of themes such as alienation, despair, and mortality. Standout tracks like “Isolation” and “Atmosphere” are characterized by the band’s stark, minimalistic sound and Curtis’s haunting vocals. The album’s influence on post-punk, gothic rock, and alternative music is still felt today.
The Western Sun
Artist: *Modest Mouse*
Modest Mouse’s *The Lonesome Crowded West*, released in 1997, remains one of their best. This album is a sprawling, ambitious exploration of the American West, exploring themes of isolation, consumerism, and the vastness of the American landscape. The album isn’t particularly easy to digest. “Cowboy Dan” is a prime example of the band’s storytelling ability, and “Trailer Trash” are highlights. The album is a sprawling soundscape that makes the listener reflect. The album never quite hit the mainstream the same way that future Modest Mouse albums did.
A Home for Ghosts
Artist: *The Microphones*
*The Glow, Pt. 2*, released in 2001, is an emotional rollercoaster. The album’s lo-fi production, and intimate lyrics create a powerful connection with the listener. The album’s raw emotion is on full display, with songs like “The Moon” and “Headless Horseman” showcasing Phil Elvrum’s talent. The album’s influence on the indie-folk genre is evident.
A Masterful Debut
Artist: *Television*
*Marquee Moon*, released in 1977, is a landmark album of the punk era. The album is notable for its intricate guitar interplay between Tom Verlaine and Richard Lloyd, and Verlaine’s poetic lyrics. The album is a unique blend of punk rock and art rock, and the band’s ambitious songwriting and sophisticated arrangements stand out. “Marquee Moon” and “Venus” are standout tracks. The album’s influence on the post-punk and alternative rock genres is undeniable.
A Different Dimension
Artist: *David Bowie*
David Bowie, released in 1971, is often cited as one of Bowie’s best albums, but it has often been overshadowed by his glam rock phase. This album is a kaleidoscope of styles, sounds, and influences, with Bowie showcasing his artistic versatility. The album is filled with melodic beauty and lyrical depth. “Changes” and “Life on Mars?” are iconic tracks from the album. The album helped shape the glam rock era.
A Cosmic Journey
Artist: *Modest Mouse*
*The Moon and Antarctica* released in 2000, is one of Modest Mouse’s best. This album marked a shift in the band’s sound. The album is a sonic and lyrical exploration of themes of life, death, and the vastness of the universe. The album is often overshadowed by other works by the band. “3rd Planet” and “Paper Thin Walls” are prime examples of the band’s musicianship. The album has a huge influence on the indie rock genre.
A Sonic Collision
Artist: *The Velvet Underground*
*White Light/White Heat*, released in 1968, is a raw, abrasive, and influential album that helped shape the sound of alternative and experimental rock. The album is a sonic experience. The album is raw, abrasive, and noisy and has had a lasting impact on rock music. “White Light/White Heat” and “Sister Ray” are key tracks on the album. This album didn’t get the recognition it deserves.
